Geometry is the foundation of my practice. I use the grid as a flexible structure that can hold memory, material history, and chance. Repeating bands, woven intersections, and modular forms create a rhythm that guides the eye while leaving room for variation and improvisation. Within this framework, graphite rubbings from architectural and natural surfaces bring textures gathered from the places I move through every day. Small patches of oil color act as visual markers, activating the composition through moments of contrast and pause. Influenced by modernist abstraction but rooted in process and place, I see geometry as both a compositional tool and a way of understanding relationships. The grid becomes an open framework where structure and intuition meet, transforming simple patterns into a space that reflects movement, accumulation, and the layered experience of the built and natural world.